People · Zora Arkus-Duntov · Chapter 2 of 11

Berlin

Weimar Berlin is the loudest room in Europe, and a seventeen-year-old with gasoline on the brain has walked straight into it. This is the Berlin of cabarets and physicists, of airship arrivals and newsreel speed kings; the AVUS — a public highway turned into a terrifying two-straight race track — runs right through the city's forest. For a boy who has spent his childhood watching an empire collapse, Berlin offers an intoxicating new religion: the machine.

Zora's conversion happens at handlebar height. He finds work around a motorcycle shop and discovers that a motorcycle is the cheapest ticket to speed ever invented. He rides, he wrenches, he races — and he crashes, learning early the tuition that speed charges. His mother, the physician, is predictably unamused. The lesson that sticks is not caution, though. It's that the difference between a frightening machine and a magnificent one is engineering, and engineering can be learned.

So he learns it properly. His grades win him a place at the Institute of Charlottenburg — the great Berlin technical university — and in December 1934 he graduates in mechanical engineering with a specialty that tells you everything about the man he is becoming: engine development and supercharging. Not bridges. Not turbines. The dark art of making an engine breathe harder than God intended.

Why supercharging mattered

  • In the 1930s, forced induction was the bleeding edge of speed — the era's Grand Prix cars were supercharged monsters making power figures that wouldn't be seen again until the 1970s.
  • A supercharging specialist had to master airflow, heat, fuel, and metallurgy at their limits — the exact skill set Zora would later pour into cylinder heads, cams, and fuel injection at Chevrolet.
  • His engineering thesis years put him in the orbit of the German motor industry at its most ambitious — including, remarkably, consulting work connected to the Mercedes Grand Prix racing effort.

The résumé entries from these years read like a young man sprinting: consulting for the Mercedes Grand Prix team while the Silver Arrows are rewriting what race cars can be; technical papers, including one in 1938 — published by the German Auto Club's magazine — arguing the benefits of four-wheel drive for performance cars. Sit with that for a moment: in 1938, a twenty-eight-year-old Zora Arkus-Duntov is publishing the case for the driven front axle. Eighty-five years later, the fastest Corvettes ever built — the E-Ray, the ZR1X — would finally agree with him. He was not early. He was three generations early.

But Berlin is running on two clocks, and the other one is counting down. Zora is a Russian-born Jew in a city curdling into the capital of the Third Reich. The street violence, the boycotts, the Nuremberg Laws — the family has seen a state turn on its own people before, and they can read the signs in any language. In the mid-1930s Zora gets out of Germany, and the family's center of gravity shifts to Paris.

Paris gives him the two great loves of his life. The first is a spirited German dancer named Elfriede Wolff — Elfi — performing with the famous Bluebell troupe at the Folies Bergère: quick, glamorous, fearless, and every bit his match. The second is the one he already had: anything with wheels and a throttle.

For a little while — a very little while — Paris lets him have both in peace. On February 11, 1939, in Billancourt, Zora and Elfi marry. He is twenty-nine; she is a teenager with a stage career and, as it will soon turn out, nerves of chrome-vanadium steel.

Seven months later, Germany invades Poland.